Santa Maria gave me an iPod Touch for Christmas and I took it out for an inaugural run on Sunday. More accurately, I used her iPod Nano because I couldn’t figure out how play music on mine. I’m a little late to the portable, digital-music game, though I’m not a late adopter of digital music per se: my hard drive has some eight-six gigabytes of music, which caused all kinds of confusion when synching it for the first time with my new, thirty-two gig Touch.
The important thing here is what I was listening to. All that time in the car driving back and forth from Pennsylvania to New York led to a dose of classic rock, which seems like the only thing I can ever find on the F.M. dial. Now that I’m past forty I’ve had the unfortunate experience of finding those familiar tunes on WCBS FM, the oldies station. When I was a kid, that spot on the dial reeked of doo-wop and the like. I hated it. Now it’s where I’m likely to find old Rolling Stones or Bruce Springsteen. This makes me feel old.
I was a huge Springsteen fan in high school, ever since my sister brought “Darkness on the Edge of Town” into the house. One of my first entrepreneurial projects involved standing on line (not going online) overnight to secure seats to his Giants Stadium shows for “Born in the U.S.A.” and then scalping a bunch of the tickets and turning a tidy profit. As a teenager, I would drive around playing that album and his earlier works, in particular “Greetings from Asbury Park,” which I always admired for its crazy lyrics. I’ve lost interest in Springsteen’s later work, but those early songs are etched into my psyche.
A few years ago, Springsteen released “Hammersmith Odeon London '75,” his fourth official live album. Springsteen is famous for his live shows, and this early concert shows why. The Boss had already been on the cover of Time magazine as the future of rock, but this was his first appearance in England. No one there really knew him, and he had to prove himself. Recorded shortly after the release of “Born to Run,” it is solely his early material, and I just love it. The quality of the recording is excellent and the set list impeccable. "Backstreets," "Thunder Road," "She's the One," are all there.
On Sunday I knew that the weekly shop needed to be completed. I listened to the album while running through my list—carrots, onions, whole chickens, etc., etc.—at the Park Slope Food Coop. Because of the holiday, the coop was less crowded than usual. I’m not sure how I would manage under its crowded, regular conditions with a head full of Clarence Clemons and the E Street Band, but those empty aisles were perfect for my first excursion with an iPod. I drifted around in a sonic haze, never before so pleased to be buying food.
The way I've been cooking lately, I do much of the work for the week on Sunday night. I prepare a week's worth of quinoa salad and poached chicken breasts for Santa Maria's and my lunches. I can do these tasks while finishing off the dinner dishes, and I put the headphones back on while doing this work. I enjoyed listening to the album on my iPod, but I would caution against buying the collection from the iTunes store.
For some mystifying reason, the digital version doesn't include one of the best songs—"Kitty's Back." It was midway through the album's rollicking, seventeen-minute rendition, when the band is vamping and jamming, and everyone is taking a solo (sometimes at what seems like the exact same moment), that I realized how music can enhance cooking. Marshall McLuhan talked about hot and cool media and the ability of technology to extend and alter our senses. He reasoned that when one sense is overloaded, the others start to shut down.
I was experiencing some mighty hot media in the kitchen. Not only was the stove on, but my iPod was cranking. With the late Danny Federici reaching heights of ecstasy during his keyboard solo, my other sensory perception were altered. McLuhan was only half right, though. My sense of smell was not shutting down. It was enhanced. I was standing over the poaching chicken as I had done many times before. On this evening, though, a delightful fragrance filled my nostrils—the scent of thyme. It was as thick and wonderful as the smoke of another, less-legal herb might have been at a rock concert years ago.
The concert was also released as a DVD, and the rendition of "Kitty's Back" has made it onto YouTube. Here it is.
